Tasha Mckenzie

Behtab is a sans-serif font family designed by Naghi Naghashian in tree weights. Behtab Light, Behtab Regular and Behtab Bold. It is extremely legible even in very small size.

This font family is a contribution to modernisation the Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Behtab supports Arabic, Persian ( Farsi ) and Urdu.

It also includes proportional and tabular numerals for the supported languages.

Behtab design fulfills the following needs:

A   Explicitly crafted for use in electronic media fulfills the demands of electronic communication.

B   Suitability for multiple applications. Gives the widest potential acceptability.

C   Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Bauhaus Arabic’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text.

D   An attractive typographic image. Behtab was developed for multiple languages and writing conventions. Behtab Arabic supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages.

E   The highest degree of calligraphic grace and the clarity of geometric typography.

Kickers is a mix of vintage look and serif styles. The combination of beautiful letter and vintage style serif makes Kickers a versatile that can be used in many different themes of design projects. Available in two styles regular and outline are suitable and ready to be used together for your next design!

Kickers is well-suited for advertising, magazine, branding, logotypes, packaging, titles, headlines and editorial design. It was definitely fun putting together these laid back vintage vibes.

The original design came from Berthold Herold typeface, designed by Hermann Hoffmann during 1913 (Art Nouveau style) in Germany. This project started from flyer printed during 1947 with movable type, the specimen was scanned as a source to development some of the uppercase letterforms. However the most unusual and tricky element from this sample is the leg from the uppercase (R) which is different from the original Herold design, until now I didn’t found where this version originally came from. This font family only contain the bold weight, but there are also a stencil and expanded versions available.

The original design came from Berthold Herold typeface, designed by Hermann Hoffmann during 1913 (Art Nouveau style) in Germany. This project started from flyer printed during 1947 with movable type, the specimen was scanned as a source to development some of the uppercase letterforms. However the most unusual and tricky element from this sample is the leg from the uppercase (R) which is different from the original Herold design, until now I didn’t found where this version originally came from. This expanded version only contain the bold weight, however there are also stencil (Nouveau LX Stencil) and condensed version (Nouveau LX) available.

The original design came from Berthold Herold typeface, designed by Hermann Hoffmann during 1913 (Art Nouveau style) in Germany. This project started from flyer printed during 1947 with movable type, the specimen was scanned as a source to development some of the uppercase letterforms. However the most unusual and tricky element from this sample is the leg from the uppercase (R) which is different from the original Herold design, until now I didn’t found where this version originally came from. This stencil typeface only contain the bold weight, but there are also available other versions without stencil cuts, like Nouveau LX and Nouveau LX Expanded.

Great Monday is unique, fresh and beautiful handwritten font for branding / logo design / logotypes / greeting cards / promotional graphics and anything in between. Great Monday is completely handmade with passion, perfection as well as aesthetics at it's level best.

Unique Ligatures

We have created 14 unique ligatures to make sure the font looks beautiful and professional.

Extended Character Sets

Along with the basic Latin character set, we have added Western European, Central European, South Eastern European character sets for your convenience. The font contains a total of 336 glyphs.

Advanced Kerning

We have performed advanced, in-depth kerning for all possible letter combinations.

What You Get

This font being a handmade typeface, comes with only single weight (Regular).

CREDITS: Font designed by Lis at Fontastica, produced by Fontastica, distributed by Designova. Created with ProCreate and Fontself on iPad Pro.

Gracelina is a clear choice for designers and brands that communicate with a younger audience, but will also work well on book covers, branding, posters, logos, apparel, packaging, and digital environments.

Stroma is a serif display faces with moderate contrast and quirky cuts. Intended to use it on headlines in the editorial design environment or big type style graphics, The function of this typeface allows it to use on larger and compact text for any graphical elements that need special treatment. 

The details interpreted from the straight axis pointed into flourish calligraphic serif, the shape of the letter contains straight details and cuts, this gives them a rich and fine looks. The Stroma family includes four weights, ranging from Light to Bold with italic uprights.

I'm Roberto Teixeira, a Brazilian graphic designer. After looking for a form quite different from the existing types, created in 2019, Di Barros Fonts Family is composed by Di Barros Regular...for while. This,form covers the following, according to the Windows character map: Basic Latin, Latin Supplement 1, Extended Latin A, Extended Latin B, Additional Latin, Cyrillic, Greek, Greek Extended, Armenian and several other special types, such as currency symbols, numbers, fractions, Roman numerals, arrows, symbol of electricity, hearts and vector images, of own authorship and more.

Di Barros, with a good length, serves several languages.

I think Di Barros applies to fine environments, such as jewelry stores, fashion stores, cultural events and others, where a beautiful and non-aggressive look is required. But there is no better application than the one chosen for its inspiration and creativity.

Di Barros Fonts Family was made for you. Thank you for using it.

Mastro is a contemporary design comprising 72 styles. With 9 weights and 4 optical sizes: Caption, Text, Sub-head and Display.

A super versatile font family ideal for editorial, graphic design, branding and web. Filled with iconic unusual shapes, yet with a super rigorous professional look this design will stand out and work efficiently.

Caption styles are meant for very small text like footnotes; Text styles are meant for long strings of text; Subhead styles are meant for sub-headlines; Display styles are meant for large size type setting. 

Mastro has many OpenType features such as Small Caps, Standard and Discretionary Ligatures, Superscript Letters, Case Sensitive Forms, Lining Figures, Old Style Figures, Tabular and Proportional Numbers, and more.

If you want to enlarge this font family make sure you get its sans counterpart: Mastro Sans.    

Brushine Collection is a solid and complementary pair consisting of a serif all caps, with contrasting letter thickness and sharp edges making it more elegant and classy. As well as a handwritten script that look natural because they are made with marker by hand. All together your text will be beautiful, elegant and classy. Suitable for all creative projects, especially on, branding, advertising, product design, social media, and more.