Tasha Mckenzie

МИР is MIR.

MIR Next is a growing multi-script type family best described by the terms “humanist–semi–slab-serif”. Its name comes from the old Russian word (Мир) meaning both “world” and “peace” –a unity we will hopefully take for granted sometime in the future.

MIR’s character set contains Latin and Cyrillic, both extended, as well as Greek, covering more than 100 languages. Strong personality along with consistency between language systems were a basic aim when designing the family. Besides letters, a wide choice of symbols and numbers are included, making MIR a very useful tool also for statistics, texts about mathematics and the sciences. Serious things are best be said in an unpretentious, relaxed way. MIR gives typography exactly that kind of appearance. Its texts emit a sense of authority and stay easily accessible at the same time.

English

HU Basic Sans is a body text font with simple Sans structure. It is well used in medias that are appropriate to use sensible font types. yet, its shows it's stylish aspects with it's wide main body.

Greek

Το HU Basic Round είναι μια γραμματοσειρά κειμένου σώματος με απλή δομή Sans. Χρησιμοποιείται καλά σε μέσα που είναι κατάλληλα για χρήση λογικών τύπων γραμματοσειρών.

Ωστόσο, δείχνει ότι είναι κομψές πτυχές με το μεγάλο κύριο σώμα του.

Υπάρχουν 1 βάρη του HU Basic Round : light

Cyrillic

HU Basic Round - это шрифт основного текста с простой структурой Sans. Он хорошо используется в средствах массовой информации, которые подходят для использования разумных типов шрифтов.

тем не менее, это показывает его стильные аспекты с его широким основным корпусом.

HU Basic Round имеет 1 толщины: light

Baldufa is a charming typeface with strong personality, which looks very comfortable in text. There is a search to obtain complicated curves and detailed features, which gives the typeface a touch of beauty and elegance. However, this is also a self-conscious design that claims through the rounded serifs and irregular vertical stems appreciation for quirkiness and human imperfection.

The letterforms are inspired by the slight distortions and idiosyncrasies that came with old printing methods. It has distinct, features such as rounded serifs, irregular vertical streams, ink traps and extremely thin junctions. In the Italic, serifs have been removed to enhance movement and expressivity. These experiments in form have not come at the cost of legibility: The typeface remains suitable for both small and display text.

GHEA News is a super family font.

 It has 8 upright weights and their Italics and supports Latin, Armenian and Cyrillic alphabet systems.

The weights from Regular to Bold and their Italics can be used as text fonts. The weights thicker than Bold can be used as Display fonts. 

It is an easily readable two side serif font and the eyes don't get tired while reading. 

GHEA News has a contrast style and at the same time is quite bright and clear. 

I design this Sketch font from my own handwriting. I was inspired by Sketch Writing when I designed buildings.

Fond This can be used in writing books. titles of books, magazines, clothes and can also be used as branding.

Alter Aves type is the first part of AlterType project – the serie of small display typefaces based on letterings, left-off types and altered foundry typefaces. 

Alter Aves is display condensed sans-serif typeface with couple of geometric-round letters, serif-styled elements and flat brush strokes. 

It supports Latin Extended-A (Western, Central Europe, Baltic, Turkish) and Cyrillic encoding languages and minimal opentype features – oldstyle digits, case sensitive punctuation, small-numeric forms and scripted fractions.

Fully functional Demo style is distributed free for non-commercial using.

Dihjauti /di:.'hjau.ti: | dee.'hyow.tee/, predominantly based off Dwiggin's Electra with shades of Palatino and Perpetua, is modern and stately. Like its inspirers, it has broad counters and spacing, which temper it and give it warmth, making it comfortable and well-suited for longer texts. It is balanced in all aspects, from its punctuation to its reference marks and symbols. Its design takes into consideration all extra characters for languages that few fonts support, such as African and First Nation. These extra characters, such as Edh, Esh, Gamma, Ezh, Yogh, the pharyngeal fricatives, the click consonants, which have added capital versions, the glottal stops, et cetera, actually look like they belong, as opposed to being afterthoughts. The italic incorporates a touch of Arrighi. It includes all transcription systems relevant to the Latin, Cyrillic, and Greek alphabets, as well as standard Coptic, plus extra characters for Teuthonista and First Nation. It also includes, to list a few, Egyptian-styled pictographs (where applicable), APL, a plethora of mathematical symbols and arrows, and a number of alternatives in the PUA. A Fontlog is included for referencing all additional characters.

Notes: 1) The superscript characters, modifier letters, and the numerators, are all part of the superscript table. 2) The bold versions of the font have some alternative/reversed characters; I did this because there is no difference in the math or punctuation symbols, i.e., the bold versions are not actually bold (with exceptions), which gives the font a better harmony. 3) The font uses anchors, which means that it will not align properly for linguistic use, or otherwise, without open type. 4) For those interested, Open or Libre Office can access all glyphs using: Insert > Special Character.

We are proud to present to you our new Latin+Cyrillic font Fedorro!

Fedorro typeface is a classy example of a modern Ukrainian style of type design. It is inspired by traditional fonts of the past, but with a strong modern twist to its appearance.

The main feature of this font are round and playful letters combined with a relatively tiny negative space, making it unique like no other: many typeface elements were borrowed from historical exemplars of Ukrainian handwritten letters and redesigned with modern trends in mind.

Fedorro is perfect for all the situations when you need the text to pop and catch the viewer's eye: posters, books and magazine covers, headlines, banners and ads, logotypes, corporate branding, lables, ads etc.

Wonderbar 2 is wacky, retro, and not to be taken too seriously. The wavy nature throughout the characters ensure that you're in for a wild ride. Alternating between upper and lowercase letters is like shifting gears. Uppercase characters take on a more undulating flow with stems that reach out to tickle you. Because of this slight overlap should be expected. In addition to Latin this childlike display font is equipped with Extended Latin for many European languages as well as Cyrillic. Try it in a children’s book, poster, or birthday invitations.

KyivType superfamily, consisting of three subfamilies: Sans, Serif and Titling. Fonts have variability in weight and contrast. There are also alternates.

Initiated by Projector, Dmytro Bulanov Creative Büro, and Banda Agency for Kyiv city (Ukraine) identification and promotion. Freeware. Fonts are free for commercial and non-commercial use. 

More at Behance

KyivType Sans is a part of the KyivType superfamily, consisting of three subfamilies: Sans, Serif and Titling.

Initiated by Projector, Dmytro Bulanov Creative Büro, and Banda Agency for Kyiv city (Ukraine) identification and promotion. Freeware. Fonts are free for commercial and non-commercial use. 

More at Behance.

SK Brushwood is an experimental geometric font based on chaotic lines. It is inspired by the Greek stone script, but nevertheless it is modern. The main component of the letter shape is straight and sloping lines ending in straight corners, which makes it look like brushwood. This is why the font gets its name. SK Brushwood is perfect for headlines, posters, print work, and the Internet.

Apura stands for a clear geometric language based on two main shapes: a circle and a square. It‘s the perfect font for headlines, posters and logos. You can create amazing experimental designs using Apura as well as unique corporate identities.

The font includes uppercase and lowercase characters, both latin and cyrillic, alternates, numbers, punctuation marks and symbols.

Inspired from archaic slavonic calligraphy, with a modern, fresh and spontaneous look, Architype AD-2014 is a display font designed for impactful and original headlines that has somehow to do with historical or religious content.

No matter what you create, this font is perfect for your design. A magnificent combination of lines and proportions creates a stunning and modern design. Created with passion to deliver the highest quality product.

I hope that this font will help you in your work and you will create truly something unique.

• Latin and Cyrillic alphabets
• Multilingual
• Ligatures
• 550 glyphs

As a font designer for films Henning Brehm delivers fonts with a whip-sharp eye for precision. His latest Vette Letters release, VLNL Agitka is a Cyrillic-inspired (and including) alphabet with both feet rooted in Soviet Union-era propaganda posters. Its design is constructivist (look Mom, no curves!) geometric and strong. Like Russian vodka. Aside from the Regular, Light, Bold and Black weights, Agitka comes in four Neon styles as well. For a dazzling design effect, layer those neons over a regular weight for a star struck embossed-letter effect.

We would also like to point out the usage of VLNL Agitka in the Bourne Ultimatum movie, for which Brehm designed neon signage for a scene at a Russian supermarket. За здоровье – Za Zdarovje!

SK Primo is a monumental geometric grotesque created to stand out.

An unusual combination of smooth rounded contours and sharp square shapes creates a visual contrast that is noticeable. Carefully adjusted shape and attention to detail make this font a great help in the work of the designer. SK Primo is ideal for headlines, posters, banners, and text highlighting.

Two styles, solid and outline, were developed to address all communication needs.

SK Eliz is an eight-bit old-school geometric font based on pixels. Despite the old school, the font looks modern and simple. The font is built on a clear geometric grid, verified to the last pixel. It is ideal for design works in the old style, illustrations and for game design.

This font also contains a set of pixel icons for more convenient operation. There are also paired styles of numbers.

The font comes in one weight but it has 850 glyphs which supports classical Latin, Cyrillic and most European languages.