Tasha Mckenzie

Working as a graphic designer for a long time, I realized importance of alternates. 
Riveruta is a modern typeface designed especially for those who like to experiment with letters. Lots of alternative letters help in creating logos or names. Create your own unique combination using different options. Suitable for any business, this font is gender neutral and should appeal to most people.

Avalons font is a geometric font that is made to be used mainly for futuristic-themed design, this font is created with attention to the distinctive aesthetic value, suitable for use in the use of logo designs, posters, and graphic designs with futuristic theme.

Sarfokats Monoline Signature Font

Give your designs an authentic handcrafted feel. Sarfokats Monoline SIgnature Font is perfectly suited to logo, stationery, branding, typography quotes, magazine or book cover, website header, clothing, branding, packaging design, restaurant and more.

Thanks for use this font ~ Maulana

Ardenson is an invitingly delightful script with a retro flair. Inspired by apartment signage of the 1950s and 60s, Ardenson strikes a vintage note that also feels at home in the present time. Perfect for any logo, signage, label design or any other project that needs a unique charm and laid back attitude.

introducing Niquitta Mirzani, a brand new font combination Script and Sans. The script means signature because the letterform created with quick handwriting, wide, signature-like. The sans serif designed with condensed shapes, semi-bold that gives a large space to be combined with the script one.

You can mix and match this font with any layout possibilities. top-bottom, left-right, headline-tagline, or side by side. Niquitta Mirzani script carefully crafted with additional alternates and ligatures that allow you to create a natural typographic design. This font duo is perfect for display such as apparel, name cards, headline, logo, packaging, labels, signage, quote, and many more! The versatile design for many themes such as romantic, professional, formal, or playful!

Fonts featured :

• Uppercase
• Lowercase
• Smallcaps
• Numbers & punctuation
• Multilingual
• PUA encoded
• Swashes
• Stylistic set 01-03
• Ligatures.

Galyna Leaffe - new elegant script from Julia Visht! Stylish classic for your successful projects!  Harmony of classical elements and modern accents makes the font multifunctional. Classy and a little bit curvaceous Galyna Leaffe is a really must-have for your collection!

Main features:

-Ligatures. Set of 37 opentype ligatures allows to make your design truly unique.

-Multyfunctionality. It's perfect for: elegant branding, wedding stationery, book cover designs, classy packaging, album covers, handwritten quotes, greeting cards,typographic designs, wall art, websites, photos, and so much more.

-Multylangual support. English, German, Italian, French, Danish, Norwegian, Swedish, Italian, Spanish, Filipino, Scottish Gaelic, Indonesian, Irish, Swiss German, Portuguese.

Happy creating!

Yes, finally. This one took the most time and the most restarting. Years went into imagining what Lust Text should look like and how it should structurally behave in order to truly improve upon a setting that includes any of the Lust typefaces. I approached it as much from the side of the type designer, as I did a potential user. The flow, the warmth, the personality needed to be there, but all of the excess had to be removed responsibly. In the process, and in need of inspiration, I looked backward to historical artifacts and precedent. In each early Lust Text approach, the solution was lackluster and/or vanilla and not actually a ‘Lust’ typeface. The exercise was not in vain though. By exploring past examples, I found my footing drawing for media now and how it might be used later—all the while, producing seamless, elegant curves and restrained indulgence (that sounds almost silly to say, but I like it).

The Lust Collection is the culmination of 5 years of exploration and development, and I am very excited to share it with everyone. When the original Lust was first conceived in 2010 and released a year and half later, I had planned for a Script and a Sans to accompany it. The Script was released about a year later, but I paused the Sans. The primary reason was the amount of feedback and requests I was receiving for alternate versions, expansions, and ‘hey, have you considered making?’ and so on. I listen to my customers and what they are needing… and besides, I was stalling with the Sans. Like Optima and other earlier high-contrast sans, they are difficult to deliver responsibly without suffering from ill-conceived excess or timidity. The new Lust Collection aggregates all of that past customer feedback and distills it into 6 separate families, each adhering to the original Lust precept of exercises in indulgence and each based in large part on the original 2010 exemplars produced for Lust. I just hate that it took so long to deliver, but better right, than rushed, I imagine.

Isabella Script is handwritten stylish copperplate calligraphy fonts, combines from copperplate to contemporary typeface with a dancing baseline, classic and elegant touch. Can be used for various purposes.such as headings, signature, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges etc.

Isabella Script features 420+ glyphs and 169 alternate characters. Including OpenType Stylistic alternates, ligatures and multiple language support.

To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC (With Glyphs Panel), Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions.

Isabella Script is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book, and Windows users can use Character Map to view and copy any of the extra characters to paste into your favorite text editor/app.

Gafiton. A reverse contrast bold font suitable for display especially. Perfect for your daily project like for headline poster, packaging, social media, branding, or anything about pop and fun design.

Roma Invicta Font

Give your designs an authentic handcrafted feel. "Roma Invicta Font" is perfectly suited to signature, stationery, logo, typography quotes, magazine or book cover, website header, clothing, branding, packaging design and more.

Thanks for use this font ~ Maulana

A versatile, bold and tall with a bit of vintage style. Ergosia is unique and versatile, Perfect for titling, headings and many others.

Pleased to introduce you to Boedimant new grunge display font! The letterforms have slight quirks to them, giving this bold sans-serif display font a perfect imperfection. You can use it for making special event logos, such as a skateboard or off-road bike races. This unique font is perfect for posters, T-shirt prints, and other promo designs.

SK Ilke Mono is a "mono geometric sans" font family. Designed by Salih Kızılkaya in 2021, this font is designed for the needs of designers and software developers. Character ranges and proportions of characters have been specially designed so that you can use it comfortably in any area you want to use mono font.

SK Ilke offers full support for the Latin alphabet and includes many typographic elements that you will need in your designs. It contains 22 different fonts and 12,760 glyphs in total. Each font of this font family contains 580 glyphs. In this way, it offers you all the typographic elements you will need in your designs and aims to meet all your design needs.

Phonk is a quite bold and wide font. It's great for headlines because it is a good eye-catcher. The font can also be used well for logos and other typographic experiments.

Phonk has very wide language support. It has both Latin and Cyrillic.

Inspired by slow and slanted handwriting style, we present to you Story Maker, a handwritten font with slow and slanted characters that was comes with alternates and multilingual glyphs to help people around world with that unique accent with this font.

Story Maker is very suitable like as text, cover book, poem, handwritten style, and more.That way easily change the glyphs to make more unique glyphs.

Hello... this is Cherries, a cute and bounch hand drawn font family. Cherries have 5 weight: light, regular, medium, semibold and bold with 2 styles: regular and slanted also included with pairing font Cherries Display. Cherries included with some alternate character and ligature to make your design awesome. Cherries is fun and very suitable for cute or girly design needs such as cover design, typography, sticker, greetings card, logo, merchandise and many more. Cherries also easy for read and you can use it for quote or caption. Add this beautiful handwritten font to each of your creative ideas and notice how it makes them stand out!

Introducing True South Authentic Hand brush Fonts.

this font made by 100% real brush to get real texture,

strong but still calm.

good for your product digital ads, thumbnail video, movie poster, book cover.

as long you can match your graphic this font should be an option.

What's Character Included ?

• Uppercase
• Lowercase
• Symbols
• Numerals
• Multilinguals

Thank You, Regards!

Jessie Neue in a new Serif typeface inspired by popular '70s fonts mixed with grotesque touches. 

It has ligatures that make it more elegant and grotesque elements that give it a modern look and make it more versatile. Jessi Neue has a great performance in large body texts and also in high impact headlines. The family has four weights and also a variable version to give more creative freedom.

It has 667 characters that covers the following languages: Basic Latin, Western European, Central European, South Eastern European, Vietnamese, Pinyin and Basic Greek.

The italic version will arrive soon.

Rollinkland is a Authentic brush font with a clear style and dramatic movement this font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Apparel Design, Label, and etc.

Rollinkland comes with uppercase, lowercase, numerals, accents (Multilingual characters), punctuations and so many variations on each character include OpenType alternates, swash to let you customize your design

JT Collect by OGJ is a Grotesk applied at global sportswear brand NIKE.

Designer and Art Director Interview with Redwan El-Harrak (for Sang Bleu), who played a central role at the Nike LDN Capsule Collection — designed for the 2019 London Marathon.

OGJ: Welcome Red, thanks for taking time for an interview regarding the excellent job you did at the Nike project! Please tell us more about why you chose Collect and how you worked with it.

RED: No problem and thank you for the kind words. Collect was an easy choice to make and was a design decision made pretty quickly actually. The breadth of the Collect family meant that was a lot of different personalities to pick from and I instantly felt that the Max style had a certain energy that aligned perfectly to the Nike brand — in a way it felt like it always belonged to that world once I saw it in the design. The Max Italic in particular added some movement with its inclusion.

Both the Max and Max Italic weights were used for the wordmark and during the design process Maxime Büchi and I realised that the symmetrical N leant itself cleverly as a connector for LDN and RUN.

In the end the concept leant heavily on Collect, with the typeface doing a lot of the work.

OGJ: Can you tell us more about the illustration concept?

RED: Well the illustration was kind of the first starting point of the concept. In my mind I wanted to show London as a deconstructed landscape with the fragments that could fill a runner’s environment, which is experienced in almost a distorted sense due to being on the move. So we have architectural scraps of Big Ben and other quintessential monuments of London sitting on top of humble newsagents and chicken shops.

I knew straight away who I wanted to commission with Stijn Jonckheere and his style essentially being the baseplate of the concept.

Once we had that part of the puzzle figured out, that’s when we moved onto the type work and where Collect also really helped. So on one hand the typeface felt very connected to the Nike brand but also sat well with Stijn’s work and he did an excellent job integrating and embedding it as a graphic device into his airy yet industrial aesthetic.

OGJ: Do you see the other weights being able to work to give different personalities?

RED: Absolutely. It was the biggest draw for me in the first place as part of the design process — it’s really useful to have a type family such as the Collect on hand as it allows me to test ‘personas’ out quickly; changing the weights, playing with the tracking and typesetting etc in order to find the right feeling within some set parameters.

I can see it being applied in a multitude of ways. Ranging from very functional contexts right up to more display led use in editorials and posters. Then you have the possibilities of packaging, branding and so on – if anything kudos to you Oliver for creating such a great family.

– –

Pair JT Collect with a condensed cut of the Trade Gothic.

With the Caslon.

Pairs also very well with a traditional Chinese, Japanese or Arabic type.